Certainly Nightcrawlers is a fascinating movie, in fact – and I say this without exaggeration – politically it may be the most astonishing movie to come out of Hollywood in living memory. However the protagonist is hardly an alpha. In fact, he is scarcely human.

Allow me to provide my understanding of this film and why I think it is so extraordinary. If you have not seen it, be aware this discussion contains many SPOILERS.

The first and most shocking thing to understand is that this film is heavily “anti-semitic”, as they say and rather than being called “Nightcrawlers” could just as well have been called “The Jew”. No, no, bear with me, I’m serious, and I’m as astounded as anyone by this. I have no idea of how or why or for whom this movie was made. If anyone can enlighten me I will be very grateful.

As we are reminded repeatedly throughout the movie, the name of the protagonist is Louis Bloom. Clearly a deliberately chosen (heh) Jewish name. Few other characters in the movie are named and certainly their names are not repeatedly emphasized as is that of Louis Bloom.

Louis begins the movie as a poor, small-time, but dangerous criminal who is making his money in the second-hand trade (Jewish stereotype alert), breaking and stealing public infratsructure (manhole covers, wire fencing, copper, etc) and selling it to metal dealers. Thus the Jew is shown as a criminally-minded individual who has no regard for the public welfare and is concerned only with his own personal profit.

Early in the movie we are introduced to a very particular habit of Louis: no matter the context, when he speaks he uses only the impersonal language of business. He exhibits only three modes of business language: 1. He hires/sells 2. He manages (employees) 3. He bargains. For Louis, there is only business, and other people are nothing more than factors of business.

Clearly, there is something very wrong with Louis. He is quite simply a sociopath (definely not an alpha). And as this movie shows, he is beyond redemption (heh, again). Self-examination, the humanity of others, our mutual duties of care; none of these things have any meaning to him

The overall arc of the movie describes Louis’ progress from small time criminal and second hand dealer to budding media entrepreneur (Jewishness alert!). In the course of this journey — which involves zero personal change because Louis is incapable introspection, reflection, self-criticism, or the recognition of the humanity of others — Louis encounters and overcomes resistance from all of society’s competing (as he sees them) groups, whites, blacks, hispanics, arabs, men and women, and, always one step ahead of the law, in the end achieves business success.

Now, as a point of film analysis, we should remember, that — whether we are considering scenes, sequences, or an entire film — the scene, etc ends when it has made its “point”.

The final scenes of Nightcrawlers shows Louis engaged in the financial exploitation of idealistic young white people.

So, as I said, not a movie about “alphas”. God knows where you got that. Nightcrawlers is in fact, plainly, undeniably, a movie about the Jewish personality, its attitudes towards the rest of “society”, and broadly explicates the sociopathic psychology that underlies the methodologies of the economic and social rise of Jews in the modern Western world.

You will understand my astonishment at seeing this movie. And again, I have no idea of how or why or for whom this movie was made but if anyone can enlighten me I will be very grateful.

The flipside of the intrusion is the ease of using disinformation to manage the personae presented.
Matt Forney offers tips on that.

Orwell never imagined that we would be voluntarily carrying around everywhere we go those two way televisions that the State monitors.