Small contribution here:

A man starts off as the “performer” (or the clown?). He does this, because it’s his job to make “offers” to women (who accept/decline). He walks up, starts his “performance.” This forces her into the role of a critic (any guy that has done cold-approach, knows what it feels like to be critiqued). The critic “leans back” and “evaluates,” until she’s hooked… then she becomes a “fan,” leans forward, and the roles are reversed.

This is a nice example of how a man can/should be both “leader” and “chased” in the same seduction. Depends on what stage he’s in… and if he has a “fan” yet or not.

I just wrote out an extended version of this here:
–http://www.daysofgame.com/theory/performers-critics-fans/